Titania Seidl, *1988, lives and works in Vienna, AT




painter showing with Quadrado Azul, Lisbon / Porto
co-curator at MAUVE, Vienna
Email me for inquiries at titania@titania-seidl.net

or contact me via Instagram 


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Currently showing work at Krixxi Kraxxi, Nosbaum Reding Golden Hour Handshakes, Kunstraum Konrad

Links:
see it as a stranger might on KUBAPARIS

Interview for Les Nouveaux Riches Magazine (German)
Interview for FM4 (German)




Files:

portfolio & CV (.pdf, web version, 2 MB)

conversation with Hugo Canoilas, 2020 (.pdf, 6,0 MB)

composition with vases, drapery, marble,..., Solo show at MUSA Vienna, AT, 2015 (.pdf, 4,5 MB)

X. marks the spot, Solo show at AIRY Kofu, Japan, 2014 (.pdf, 2,9 MB)
the exact same sigh through our gritted teeth or the fantasy of ancestry, 200 x 120 cm, watercolor & oil on canvas, 2023 eyes never quite catching, Nicodim Los Angeles, 2022 eyes never quite catching at Nicodim, Los Angeles eyes never quite catching, Nicodim Los Angeles eyes never quite catching, Nicodim Los Angeles eyes never quite catching, Nicodim Los Angeles see it as a stranger might, Bildraum 07, Vienna, 2021 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 How my bodiless eye travels, 200 x 100 cm, watercolor on canvas, 2020 (shown at unchained #1, WAF, Vienna) how-my-bodiless-eye-travels-2020-photo-philip-pess Prêt-á-Porter (diorama) collaborative installation with Lukas Thaler, shown at Antroporary, curated by Michal Stolarik, Jan Koniarek Gallery (SK), 2020 Pretaporter with Lukas Thaler for future finders with Lukas Thaler, Bruch & Dallas, 2020 fff fff fff fff fff fff Prêt-á-Porter collaborative works with Lukas Thaler, 2019 & 2020 pret-a-porter-with-lukas-thaler pret-a-porter-with-lukas-thaler pret-a-porter-with-lukas-thaler



Mary Sue (her raw gaze)
Solo, Quadrado Azul, 2019



Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019


Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019


Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019


Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019


Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019


Tired of trying to tune his aching instrument of a self
2019, 30 x 15 cm, Ceramics, watercolor and oil on board




I could tell you a lot about what it’s like to be an empty shape in an undefined space, but would you listen?
2019, 30 x 15 cm, Ceramics, watercolor and oil on board





your lyrics are nothing but symbols to me
2019, 200 x 100 cm, Watercolor and oil on canvas




If you went up in smoke I would just open a window
2019, 200 x 100 cm, Watercolor and oil on canvas




Paintings make friends, Hugo Canoilas, 2019



The Hanging of Traitors in Effigie (Part 1)
(curated by MAUVE as part of Über das Neue, Belvedere21, Vienna, 2019)
Titania Seidl, Lukas Thaler, Laura Yuile


The Hanging of Traitors in Effigie (Part I)


The Hanging of Traitors in Effigie (Part I)


The Hanging of Traitors in Effigie (Part I)


The Hanging of Traitors in Effigie (Part I)







W I D D E R II
Whitedwarf Projects, Vienna, 2019




W I D D E R II, Whitedwarf Projects, 2019




W I D D E R II, Whitedwarf Projects, 2019


W I D D E R II, Whitedwarf Projects, 2019
W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 The Yips, Céline, Glasgow, 2018 with Céline Struger, Lukas Thaler The Yips The Yips The Yips
(photos by Sean Campbell) like a tightly knotted ball of thread, refusing to unravel destiny's atelier, Oslo, 2018


tiny sweatpants sitting on a window frame paper clay clothes hanging around the windows

this is the shirt I would really like to own so I painted it off your back while you weren't looking

nine paintings on the walls and objects on the floor that look like my wardrobe but shrunk and the colors are faded

this is a painting of two holes and three mirrors

a vase, a running dog, a dress, destiny's flowers

paintings almost becoming one when you read them as a sequence

empty shells hanging out in one corner

cross my arms and hope to die

entrance or exit

baroque and totally dissolving into the ornamental

a text about containers and a painting of stripped off skin on the back

Nora's text