Titania Seidl, *1988, lives and works in Vienna, AT
painter showing with Quadrado Azul, Lisbon / Porto and Arch Gallery, Changsha
co-curator at MAUVE, Vienna

Email me for inquiries at titania@titania-seidl.net


or contact me via Instagram 

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Currently showing work at

4 whales in a soft sponge, Medium Gallery, Bratislava, curated by Nika Kupyrova 

Links:
easysleep on KUBAPARIS

see it as a stranger might on KUBAPARIS

Interview for Les Nouveaux Riches Magazine (German)
Interview for FM4 (German)
 


Files:

portfolio & CV (.pdf, web version, 4 MB) 
conversation with Hugo Canoilas, 2020 (.pdf, 6,0 MB) 
composition with vases, drapery, marble,..., Solo show at MUSA Vienna, AT, 2015 (.pdf, 4,5 MB)
X. marks the spot, Solo show at AIRY Kofu, Japan, 2014 (.pdf, 2,9 MB)


the exact same sigh through our gritted teeth or the fantasy of ancestry, 200 x 120 cm, watercolor & oil on canvas, 2023
 
  
  
 
  
eyes never quite catching, Nicodim Los Angeles, 2022  eyes never quite catching at Nicodim, Los Angeles  eyes never quite catching, Nicodim Los Angeles see it as a stranger might, Bildraum 07, Vienna, 2021  see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 see it as a stranger might, Bildraum 07 How my bodiless eye travels, 200 x 100 cm, watercolor on canvas, 2020 (shown at unchained #1, WAF, Vienna)  how-my-bodiless-eye-travels-2020-photo-philip-pess Prêt-á-Porter (diorama) 
 
  
 collaborative installation with Lukas Thaler, shown at Antroporary, curated by Michal Stolarik, Jan Koniarek Gallery (SK), 2020  Pretaporter with Lukas Thaler for future finders
with Lukas Thaler, Bruch & Dallas, 2020 fff fff fff fff fff fff Prêt-á-Porter 
collaborative works with Lukas Thaler, 2019 & 2020 pret-a-porter-with-lukas-thaler pret-a-porter-with-lukas-thaler pret-a-porter-with-lukas-thaler 
 
Mary Sue (her raw gaze)
Solo, Quadrado Azul, 2019Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019 Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019 Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019 Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019 Mary Sue (her raw gaze), Quadrado Azul, Porto, 2019 Tired of trying to tune his aching instrument of a self
2019, 30 x 15 cm, Ceramics, watercolor and oil on board
 I could tell you a lot about what it’s like to be an empty shape in an undefined space, but would you listen?
2019, 30 x 15 cm, Ceramics, watercolor and oil on board
 your lyrics are nothing but symbols to me
2019, 200 x 100 cm, Watercolor and oil on canvas
 If you went up in smoke I would just open a window
2019, 200 x 100 cm, Watercolor and oil on canvas
 Paintings make friends, Hugo Canoilas, 2019The Hanging of Traitors in Effigie (Part 1)
(curated by MAUVE as part of Über das Neue, Belvedere21, Vienna, 2019)
Titania Seidl, Lukas Thaler, Laura YuileThe Hanging of Traitors in Effigie (Part I) The Hanging of Traitors in Effigie (Part I) The Hanging of Traitors in Effigie (Part I) The Hanging of Traitors in Effigie (Part I)W I D D E R II
Whitedwarf Projects, Vienna, 2019W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 

W I D D E R II, Whitedwarf Projects, 2019
 W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019 W I D D E R II, Whitedwarf Projects, 2019The Yips, Céline, Glasgow, 2018

with Céline Struger, Lukas ThalerThe Yips The Yips The Yips (photos by Sean Campbell)like a tightly knotted ball of thread, refusing to unravel
destiny's atelier, Oslo, 2018
 
    
tiny sweatpants sitting on a window frame paper clay clothes hanging around the windows
 
    
this is the shirt I would really like to own so I painted it off your back while you weren't looking
 
    
nine paintings on the walls and objects on the floor that look like my wardrobe but shrunk and the colors are faded
 
    
this is a painting of two holes and three mirrors
 
    
a vase, a running dog, a dress, destiny's flowers
 
    
 
    
paintings almost becoming one when you read them as a sequence
 
    
empty shells hanging out in one corner
 
    
cross my arms and hope to die
 
    
entrance or exit
 
    
baroque and totally dissolving into the ornamental
 
    
a text about containers and a painting of stripped off skin on the back 
 Nora's text